Residue
DisruptionsDisruptions marks the most assertive territory within the Residue series, challenging the boundary between photograph and painting. Unlike other series, here the photographic image is no longer a destination—it becomes ground for confrontation. Acrylic ink and painted marks are applied forcefully, not as embellishment but as rupture. These gestures interrupt illusion, reclaim surface, and collapse distance between viewer and object. Disruptions is a rebellion against photography’s containment, pushing the work into a rawer, more physical space. The hand insists itself—disrupting, obscuring, or amplifying what the image attempts to hold. The resulting compositions exist between media and modes of seeing: not documentation, but declaration. In this series, the overlooked is not only elevated, but fought for—revealing presence through contact, resistance, and the urgency of mark.
Photographic fragments collide with painted gestures—where surface is ruptured, illusion is broken, and the overlooked fights to be seen.